The Man behind the “Visual Treat”: D.o.P of “Bahubali 2: The Conclusion” at AISFM Campus!

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SS Rajamouli’s magnum opus “Bahubali 2: The Conclusion” is breaking all records with its successful run at the box-office. The film which is in its second week has garnered an estimated whooping 1000 crore across India, on its second Monday.

Mr. K K Senthil Kumar, D.o.P/Cinematographer of “Bahubali 2: The Conclusion” visited the AISFM Campus for an Interactive session. AISFM hosted a special screening of “Bahubali 2: The Conclusion” for its cinematography students and also for the camera technicians working for Annapurna Studios. Followed by the screening, Senthil was congratulated by AISFM, for the huge success of the film and the impact it is creating on millions of people.

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As VFX and storyline are an integral part of the movie, Senthil shared his thought-process and ideas on certain shots of the film.; sharing facts like – the film was shot on 4:3, rather than a 16:9 to purposely serve the IMAX screen. “The directors vision for the complete series was accurate in his head, and as the D.O.P, I helped him execute that vision through my camera. We worked with each other on most of the pre/post production,” said Senthil answering a question posed by one of our students.

When asked about ‘VFX to normal scenes ratio’ in the movie, and how it acts on his decision-making while capturing particular scenes; he said “The key is to keep it simple. I always try to keep it simple while I’m working. I have a list of scenes and I approach each one with the simplest solutions.” he answered.

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“As the film had exceeded expectations with the first part of the movie, the director had to take it up a notch, to surpass the audiences’ expectations which were set really high, already,” he added in the Q/A session, which was really insightful for the attendees who could gain behind-the-scenes knowledge about this blockbuster phenomenon taking over the world.

He also mentioned that planning and resource management is really important with a high budget project like Bahubali. He further added that, it took a complete year of pre-production before the sequel’s shoot began. If a brief idea of what has to be projected on screen is fairly accurate in the head, the execution becomes way easier. He mentions the skill-set to be prepared for instinctive decisions as when the shoot happens, improvisation for getting an edge should be done, naturally on a regular basis.

As Bahubali will be known for setting a trend, in the size that it has, it was an honour to have an interaction with the D.o.P of the biggest hit in the cinema industry, making and breaking records, in quality of talent and quantity of revenue, while uniting the world globally with the fascinating art of filmmaking.

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