AISFM launches Corporate Role Play workshops

AISFM_Fiirefly_38AISFM faculty Nitin Mane, MFA (USA) & Bala Rajasekharuni, MFA (USA), who is also the Dean conducted a workshop of Corporate Role Play at Firefly Creative Studios, Hyderabad.AISFM_Fiirefly_32Bala and Nitin blended various actor training methods to bring out the hidden talent of the team members, accommodating a variety of personalities and their own unique modes of expression. AISFM_Fiirefly_26Every creative exercise concluded with a briefing on how those techniques can be applicable effective tools for self development and team building in any setting, be it home or the work place. AISFM_Fiirefly_16Using humor as a medium to engage the group, the instructors walked the participants through a process of profound learning, yet, making it fun to spend their Saturday morning for. AISFM_Fiirefly_13The workshop is one of the recent initiatives of AISFM outreach programs, which has started with a summer intensive teaching methodology workshop in collaboration with Critical Education Academy, Los Angeles.AISFM_Fiirefly_8AISFM believes in creating an ongoing synergy between its in-house academic expertise and various societal settings in the outside world.AISFM_Fiirefly_18

Children explore AISFM & Annapurna Studios!

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AISFM has opened doors for outreach programs in a big way. Starting with the recent International Teacher Training Workshop for the local schools, Annapurna Studios & AISFM are playing an active role in the local culture & education system, bridging the gap between the society & film industry. AISFM & Annapurna Studios was vibrant with little voices and smiles of excitement as 40 children from across India visited their premises on a day-long trip.

AISFM took this initiative being an Academic Partner in the International Children’s Film Festival of India (ICFFI) 2017, organised by Children’s Film Society of India (CFSI) and the Telangana Government. As a partner of this film festival, popularly known as, ‘The Golden Elephant’, Annapurna International School of Film and Media (AISFM), hosted dinners for delegates, CFSI board meetings, and sent their experts as panel members to support the festival.

The cheerful little students came from various places, including Jammu & Kashmir, Maharashtra, Andhra Pradesh, Telangana and Goa etc.

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Then it was time for a quick, short and crisp learning session for the students. Divided into two groups, one group learnt about the finer nuances of animation and the other group learnt the art of acting. The Animation Group had a small six-scene storyboard to follow, wherein the children created live models of each scene in the story with play dough which was then shot on a camera; when replayed was a mini-animation movie in itself! The Acting Group learnt what goes on behind the camera in acting and how to act and express oneself.

While all the children unanimously said that they loved the whole experience, they all wished to have a full fledged longer workshop.

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Mohd. Nadeem, a Grade 9 student from Jawahar Navodaya Vidyalaya, Kupwara, Jammu & Kashmir, who was attending the film festival and coming to Hyderabad for the first time, loved the ambience and said “the ambience, cleanliness, people and facilities are very nice and I loved the movies shown too.” J Abhilash, Grade 9 student from Government School, Narsampet said, “I want to learn acting and know more. This workshop was very nice and it will help me in concentrating too.” Aivya, Grade 8th student from Ryewood International School, Lonavala found the workshop very interactive and interesting and Kabir from Sharda Mandir, Goa felt that the workshop was an eye-opener into the field of film and media.

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G Venkateshwarlu, teacher from Government School, Narsampet, lauded the AISFM facilities and said, “The workshop was really nice and was a way of expression for the students; more such workshops should happen.” R Saraswati, teacher from ZPHS, Hayathnagar said “the children’s wish is not fulfilled in one day; they want to join it and want to come back for more.” Shweta Pardesai from Ryewood International School, Lonavala said “both the workshops were very good and they will really help the children in eye-hand coordination, concentration and in studies. What I really liked was that all the children in each workshop were given an opportunity to showcase their talent.” Veena Kumari, teacher from Jawahar Navodaya Vidyalaya, Kupwara, Jammu & Kashmir said, “It has been a great experience for the children to see the studios, campus and workshop and also the movies at the festival; and we would definitely want to come again.”

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Children need to understand the value of visual media and film and that it is a very powerful medium which should be included in all curriculums. This event was very helpful for the students to learn more and gave them great exposure and a concrete idea on how things work in the film industry, be it animation, lights, sounds, music etc., according to the need of the movie. These skills are something that the children can use in their classrooms too.

Annapurna Studios and AISFM are proud to be a part of the CFSI activities and glad to open its arms wide for the imaginative young audiences & future citizens of India.

AISFM students graduate with flying colors

On 17 September 2017, our students graduated amidst glam and glitz in Shilpakala Vedika. The stage was set for the legendary director, S.S. Rajamouli, to confer our bright students with their hard-earned degrees.

The event started with a tribute to S.S. Rajamouli Garu through a dance performance choreographed by Vijay. This was followed by a motivating welcome address by our director, Mrs. Amala Akkineni Garu, which lit up the entire hall.

Shortly afterward, the dean, Mr. Bala Raja declared the graduation ceremony open and Chairman, Mr. Akkineni Naragajuna Garu delivered a heartfelt speech about our founding father, Akkineni Nageswar Rao Garu’s vision. The audience sat rapt with attention as they heard how AISFM came to be and how ANR Garu gave life to his dream of helping media & entertainment enthusiasts with a world-class education.

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S.S. Rajamouli Garu took the stage next and remembered the contributions and willpower of ANR Garu. We all know that ANR Garu braved a couple of heart strokes through his lifetime but it is worthy to note that nothing – not even dire ailments – stopped him from achieving the goals he set for himself. AISFM is a testimony to this. After this, the graduates were awarded their degree certificates.

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Besides the moving speech by S.S. Rajamouli Garu, the convocation ceremony this year was special for another reason as well. ANR gold medals were awarded to exceptional students who scored more than 85% in their boards. The first gold medalist winners were Shashank Velpucharla and Ashwin Sanjay Bharde.

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The ceremony concluded with vote of thanks by the dean, the National Anthem, and group photographs with the dignitaries. It was nothing short of delightful to see our students graduate with flying colors.

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Shri Venkaiah Naidu speaks highly of ANR at the ANR Award Ceremony

The 11th ANR awards were held on the 17th September at Shilpakala Vedika, Hyderabad. The esteemed guest of honor was Shri Venkaiah Naidu, who expressed that felicitation of a few should come as an inspiration to many. The recipient of the ANR award this year was S.S. Rajamouli, and Shri Naidu showered him with well-deserved high praise. Shri Naidu also remarked that the legacy of Akkineni Nageswara Rao (ANR) would live on year after year through this award, that was given to the current prodigies of Indian cinema. In his speech, Shri Naidu spoke fondly about ANR, explaining how this spectacular actor raised the bar for acting and producing films in India. ANR lived his life with discipline (which helped in bringing him success) and dedicated every living moment to Indian cinema, turning him into an inspiration for many aspiring professionals.

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The growth of the Indian film industry can be seen clearly from the first Indian film in 1913- directed by Dadasaheb Phalke to Baahubali, the latest film that has taken the nation by storm. Such exponential growth could only be possible due to pioneers like ANR and Rajamouli. The revenue generated by the Indian film industry is roughly 20,000 crores, with 2,00,000+ employed professionals giving their best to create a stunning new cinema in all languages. Shri Naidu also urged the audience to learn their mother tongue. He compared one’s mother tongue to eyes and other languages to spectacles and remarked- if the eyes didn’t work, the spectacles were of no use.

Indian film has grown to a point where 30 big companies associated with the film industry are registered and performing business in the Indian Stock Exchange. But Indian films do more than just create revenue- they evoke so many emotions in people and also send a positive message to the public. They are a powerful source of communication in today’s world because they have the power to change the thought process. Every film created should have meaning, a unique message directed to the public in such a way that it generates positive impact among the audience.

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Nagarjuna also gave a short speech, thanking Shri Naidu and CM, Kalvakuntla Chandrashekhar Rao, mentioning various schemes introduced by him that brought on the welfare of Telangana. He signed off with the quote saying- since the inception of the silver screen, its purpose was to screen Bahubali.

The awards ceremony also had a few live performances of classical songs and dances from Bahubali, an address by Bala Raj, the dean of AISFM. It ended with the National Anthem playing in the theatre, leaving everyone heartfelt.

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AISFM Students Explore TV Production House

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Apart from classroom learning, enriching field trips contribute to the exposure of students to the real world and the industry.

Our MMBA 3rd Semester students visited TV 5 office, along with MMBA Faculty MNVVK Chaitanya recently and gained valuable insights. Summarizing the experience, faculty Chaitanya said, “The session started with orientation about the organisational structure (TV5 group), departmental functioning/affairs and their description, details about equipment (cameras and lighting setups, in addition to chroma keying, functioning of PCR and MCR, interface between marketing and editorial teams, interfaces between input and output desks, importance of select HR policies and procedures (related to TV production), comparison between national TV networks and regional TV networks, select programming/content strategies for USA markets and branding partnerships that TV5 had entered into. There was an entire tour of all departments across all floors, ending with a Q&A session/doubt clarifications.”

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Students cherished this visit to a working TV Production house and felt it was the important facets of their learning during the semester. Sanjeev Nair felt that it helped him internalize the theory taught to him so far in news production; Sanskrity Patra said she gained insights into the actual industry dynamics and increased her adaptability skills, to specifically tune to the industry requirements.

Chaitanya opined that this sort of an industry integration and industry interface opens up new vistas and horizons in the broader areas of curriculum development and academic readiness to launch new modules in news production/broadcasting, in addition to knowing the skill gaps from industry practitioners.

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Dinesh Akula, Editor, TV 5, and a visiting faculty to AISFM said that it was a positive and significant learning experience for students. Elaborating about the session he said, “TV production, broadcast rules and theory, audience meter and analytics related to BARC and ratings, how to produce news/TV programmes from scratch to going on air, media business and production business, industry career and in-depth analysis with students on what they have in mind and how can they be placed. We also took a studio tour learning how it all works online/offline from the conception of an idea to telecast.”

Mr. Akula also felt students of AISFM were enthusiastic, eager to learn and very articulate in expressing their thoughts, hence gained a lot of insights during this visit.

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Evade Subrahmanyam fame Nag Ashwin at AISFM

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One of his first short films headed straight to the Cannes, no less! Then his first directorial debut was not just a hit film but was also critically acclaimed. Nag Ashwin, young and upcoming writer/director, had an interactive session with our students.

In 2013 his short film titled Yaadon Ki Baraat was selected for the Cannes Short Film Corner.

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Before his directorial debut Yevade Subramanyam, Ashwin had worked on a few films as an assistant director including on Sekhar Kammula’s Leader and Life Is Beautiful.

He’s currently busy in pre-production of his pioneering bio pic Mahanati in Telugu/Tamil/Malayalam on the life of the late legendary southern actress Savitri.

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Talking about his journey in films, he spoke at length about the hard lessons he learnt shooting in the most unfavorable circumstances in Himalayas with absolutely no vehicles at their disposal. He had to keep the crew & cast morale amidst snow, subzero temperatures, and virtually no oxygen in some places. He shared with students that his passion & only passion for his story & characters could keep him going. Nothing else.

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Our Dean of Academics and Faculty, Direction & Screenwriting, Bala Rajasekharuni, addressing the students said, “Ashwin is a good role model to the upcoming filmmakers, since he’s from a film school and he stuck to his passion while choosing his film subjects. Evade Subramanyamis a classic example of how one can write from their heart and at the same time honor the commercial realities of the industry. A delicate balance, which Ashwin achieved with his debut, which is remarkable. This balance is what we try to teach at AISFM all the time.”

Sania Mirza & Neha Dhupia visit AISFM

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Interacting with celebrities of all walks of life and learning about their life experiences is an integral part of AISFM campus life. However, this time, it’s an interesting combination of two personalities – one a film star and an accomplished sportsperson together.

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Celebrated international tennis star Sania Mirza and talented and beautiful actress Neha Dhupia visited our campus recently. They interacted with our students at length, spending quality time with them; answering their queries about their life experiences… students thoroughly enjoyed the interactions with both these stars.

Sania Mirza appreciated the film school’s facilities and expertise that helped her with a recording project.

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Neha Dhupia spoke about the importance of learning the craft of filmmaking and shared her thoughts on the value of trained directors and technicians in the film industry. She said, “Some people are gifted, yet they like to educate themselves. The strongest weapon that you can have in today’s day and age is education. A lot of people think that if you don’t want to study then you can be a part of films. But that is not true, because the most successful writers, directors and even actors are the ones who are educated in the craft and that’s what sets them apart from the rest of us.”

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Lauding the efforts of AISFM she added, “AISFM facilities and ambience are amazing. The venue, the sound team, the recordists, I feel like I am at home with family. The equipment is top-class, the technicians are top class.”

Veteran Editor Marthand Venkatesh @ AISFM

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Working with the best, interacting and learning from industry professionals in an important part of education at AISFM. Veteran Telugu film editor Marthand K. Venkatesh who has edited more than 400 feature films, conducted a Master Class for our students.

Life experiences and social awareness are his biggest teachers, which have sculpted his societal positioning and aesthetics in his edits across genres. A third generation filmmaker, he interacted with the students at length about the learnings of his editing career. More than 80% of his films have been extremely successful at the box office.

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He bagged prestigious Nandi Award as the best editor for films like Tholi Prema, Daddy, Pokiri and Arundhati. He shared his insights into the industry including his personal aesthetic conflicts as a filmmaker and the balance he attempts to strike in his editor-director relationships.

Making his expertise available to budding editors, enlightening them about common editorial concerns and sharing his trade secrets through advice was the crux of his Master Class. While all the students benefited greatly from his session, a few students have penned down their reflections about their learning experience. Read on to find out what our students have to say.

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Mahesh Gaddam, (4thYear, BFA, Editing + Direction Specialization)
“We learnt many important things during the workshop; like: Work flow – Editing the first cut of the film on the basis of just the visual intensity of the rusheswithout knowing the story or having the director guidance gives a fresh approach and visualization.

Repeated analysis of cut in silence (without sound) makes you understand the flaws in the edit. Each key character gets a different pattern according to their characterization, (where we discussed an example from the film Happy Days).

When the film is based on a specific character’s journey, the editor has to focus on that character and emphasis more on his arc. (Here we discussed the film Fidaa).

Edit suite is the “first auditorium” and the footage has to excite the editor.

Over usage of opticals (transitions) is spoiling the content in contemporary film making.”

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Chaitanya Khairkar, (2nd Year, MA, Editing + Direction Specialization)

“The best part about the masterclass was that he was vocal about his thoughts and gave us knowledge about how the real film industry works. He didn’t sugar-coat or mince his words, instead told us about the real commercial side of the film industry. He shared his knowledge about his motivation for cuts, the internal and external rhythm of the scene as well the characters.

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He spoke about the difference in his approach for different films, for e.g. His approach was different for Pokiri than that for Billa; Pokiri was rougher whereas Billa had a more stylish flavour to it. He also shared his thoughts about his recent release Fidaa, and explained how the first half of the film was different from the second half; how the cuts relate to the protagonists of the film, while the ‘Hero’ had smooth cuts, the ‘Heroine’ had abrupt and quick cuts to it and her character was more bubbly and lively, as lightning speed.

He explained his working pattern, where he mentioned that he does not take part in pre-production stage of the films; he avoids listening to the story of the film before the edit, and he does the first cut of the film all by himself not allowing the director to take part in it initially. He also gave tips for the freshers who are trying to get into the industry, and explained the job of an assistant editor.”

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Athul Prabhakaran, (4th Year, BFA, Editing + Direction Specialization)

“Mr Venkatesh believes if everyone does their job to work for the film’s best, then the film will obviously work, any sign for the addition of just aesthetics and not story is not what he encourages. When the edit is first received, he gets his assistants to set up scenes with the good and bad and then comes in to edit. He reviews this finally with the director of the film to completely achieve the perfection the film deserves, sometimes with a lot of healthy arguments and discussions and so forth. He says that the director may stop a personal style from coming in. But it’s never bad to try, only that the final word comes from a director who is confident. The other people who may influence your edit design may be the cast members or the producers who panic and jump to editorial decisions. This may be seen as working for individual characters but not for the entire story.

He thinks commercial action films do not require much intellectual thought into how they are set up. It’s always fast paced with structures that hit marks. Editing films by filmmakers like Shekar Kammula is what gets him going as he gets to explore characters through edits. In Happy Days he set up a style of edit for different characters. In Fidaa the lead character in the girl takes the films narrative pace.

We spoke about silences and how they are really important. As easy as action films are, if they don’t have any silences in them, they tend to get loud and this can be down played with comedic scenes or emotional sequences. Silences, he says should also guide in edits without music or sound designs; they will allow for places that show a lag.”

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Abhishek Khapre, (3rd Year, BFA, Editing + Direction Specialization)

“Mr. Marthand explained his own way of editing films. He talked about treating movies of different genres in different ways. For example, an action film is cut or paced a little faster than something like a “feel good” movie or a family film, which has slower cuts to help the audience absorb the emotions. This, he feels, is a difficult task. An editor should feel the pulse of such films and edit intuitively to bring out the required emotion.

Moreover, each character is also treated in different ways by Mr. Marthand to bring out their characteristics. He gave an example of keeping two frames of lag for the hero, two frames of lag for the heroine and maybe 4-5 frames of lag for the antagonist. This creates a difference each time the character is seen on screen. He also talked about using different transitions and optics for different characters, e.g. dissolve for some, speeding up the footage for some, and using straight “visible” cuts for others.

Lastly Mr. Marthand talked about knowing the demography the movie will cater too. This may change the editing pattern. If the movie has a famous cast, then the editing pattern may change for a commercial movie as it has to cater to a specific audience. If the cast is not that well-known then the editing pattern changes along with the expectation of the audience.

Overall Mr. Marthand held a productive session and gave an insight into the Telugu film industry and the job of an editor in the industry.”

AISFM Inaugural Session 2017, A Great Start!

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Bright smiles and eager faces of our new set of students said it all! The AISFM Inaugural Session of 2017 welcoming the students and their families into the AISFM fold, was celebrated at N Convention Hall.

The session started off with a flourish with a montage of all the nine Grad Films of our graduating batch which proudly showcased their learning, hard work and finesse!

The Chief Guest for the session was renowned film director Radha Krishna Jagarlamudi, popularly known as Krish, known for his Telugu hits like ‘Gamyam’, ‘Vedam’, ‘Gautamiputra Satakarni’ and Kangana Ranaut’s Hindi historical ‘Manikarnika’ which is under production. Lauding the students’ choice of school, he said, “all you students have chosen a very strong and good film school that has high level of expertise in cinema & backed by Annapurna Studios; no other school is better than AISFM.” Appreciating the grad films that he saw, he regretted that he did not have a chance like these students to learn at a film school. Reminiscing about a chat he had with our founder, the legendary Akkineni Nageshwara Rao, he said, “ANR garu had said that cinema is an amalgamation of multiple arts and crafts and the synthesis of all these elements form a beautiful art called cinema.” He recollected his journey of becoming a filmmaker and how he would sometimes wait outside Annapurna Studios to get a peek, and how later a long & hard determined journey brought him to the same studios as a working director on Manikarnika recently.  He encouraged AISFM students, “If I can do it, you can do it.”

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Krish then advised the students, “be passionate in doing whatever you do and absorb as much as you can from your classes. You have a great chance to learn and experience here in the live studios, be open minded and a team player. Hard work is more important than talent, and of course endurance.” He ended on a thoughtful note, “if we are failing to prepare, we are preparing to fail, so work really hard and be passionate.”

Renowned Hollywood business expert, author and President of FilmProfit, Jeffrey Hardy who is our Academic Advisor sent in his wishes for the students along with a message. He said, “I feel honoured, to be asked by the Dean, to be a part of the group that is advising particularly MMBA students. I think the business side of business is what I focus my life on and it is the business side of business is what makes everything run well. You can’t just think only about the creative side, you have to do good production, you have to have them well-managed, you have to do good distribution, you have to look for every opportunity in the market, you have manage it well, manage relationships with exhibitors and distributors and everyone else.”

Bob Brown, popular Hollywood Action Director, known for blockbusters like Transformers, Mission Impossible, Terminator, xXx , sent in his message too and said, “AISFM is a state-of-the-art international film school and is a great place to learn.”

Reputed Hollywood writer, Paul Guay who has penned titles like Jim Carrey’s Liar Liar, Little Rascals and Heartbreakers congratulated the new batch of AISFM for getting into the school. He said, “When Dean Bala Raj invited me to be an Academic Advisor for their Screenwriting program, I took time to study the school. I was impressed with all aspects of AISFM. I haven’t seen any film school that’s located on the studio lots like AISFM. You’re going to have a great learning experience and a fun ride.”

Iconic Indian director S.S. Rajamouli who created the prestigious grand epic ‘Bahubali,’ too sent in his words of advice and best wishes for the young and enthusiastic students and said, “absorb, learn, get exposed to life in the AISFM campus itself and work hard.”

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Our Honorary Director, Amala Akkineni, while officially inaugurating the new academic year 2017, shared her thoughts about how the school came into existence, “the legendary actor and AISFM Founder Akkineni Nageswara Rao would have been proud to see you all here, especially with our current students covering the event on video. It was his dream to start a school. He had said, ‘It is not enough to create a place of work but a place to train and educate is needed’ and that is how this school started. He didn’t go to any film school but he learnt by working hard as a trainee, as an apprentice. He felt that most Indian youngsters could not have access to international film & media schools, hence he started AISFM right in Hyderabad, with international standards.”

Her words of advice for the students were, “Take the plunge into learning, be passionate and become a learner for life. Don’t forget to play, have fun and enjoy. Nobody succeeds if you do not enjoy. Make friends and build a network and create wonderful work together. Your critics will push you forward, take criticism constructively and positively, learn from them and grow with them. Learn to observe, silence the judge in you and observe. You will learn every aspect of film and media here. Technology is changing every day, so create your own unique niche and remember you are special. I believe that we have the future ANR, Christopher Nolan and Rajamouli amongst the students’ right here.”

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Our Dean of Academics and Faculty, Direction & Screenwriting, Bala Rajasekharuni, addressing the students said, “Give your best in one area of your passion, then you will do good in other areas too. It is the time of meeting points of arts, education, commerce and technology. AISFM is a liberal arts school and its curriculum reflects the nature of the world today. The school is relevant to today’s times, because it has a unique structure of specializations, areas of passion and areas of technical expertise which is a craft for survival that gets ready jobs in the industry. Value interdisciplinary study in integrated phase of your degree, since today’s world is an integration of audio & visual media whether it is film, television, internet, or cell phones, all of them are at a meeting point, which demands multi-talented professionals.”

He further congratulated the parents who have allowed their children to pursue their passion and added, “To call ourselves an international school, it’s not enough to just have an international syllabus. AISFM is a true international school because; we have a global vision, and are building a strong international advisory board for all departments by the end of this year. Already three Hollywood experts are on board and many others are on their way in.”

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Padma Ramesh, Faculty, Liberal Arts & Business Communications, spoke of the importance of short and long term goals, positive attitude, creative thinking, teamwork, commitment and briefed them about the rules and regulations of the school and urged them to be good brand ambassadors of the school.

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Alumni Meher Kilaru and Preksha Trivedi spoke about their learnings at AISFM and how it made a difference in their lives. Meher, who is a student from the 1st batch, recollected his journey at the school and how Nagarjuna Akkineni called him to talk about marketing strategies for the movie Manam and how his words of advice of ‘Think big, what’s stopping you?’ still ring true to him in every aspect of life today. After working on Manam and Meelo Evaru Koteeswarudu, he is now working with Radio Mirchi 98.3; he advised the students to “never lose the fire within to pursue your passion, never stop educating yourself and never lose the ability to watch a film as a common audience.” Preksha echoed the same thoughts and said, “I joined AISFM because I love movies and I had an opportunity to learn, what followed were two years of brilliant learning experience. So do everything you can and keep learning.”

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The students were then addressed by our in-house counsellor Diana Monteiro, who spoke about parenting styles and how it is important for children to have hard experiences for a life education.

The event concluded with ice breaker group activities organized by Faculty Amit Prasad, Sai Gokul Ramnath and Dr. Vijaya Raghava with freshmen as the participants.  The impromptu skits were received by the crowd with laughs, cheers and applause.

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‘The White Fields’ Wins Best Editing Award

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A big, bright and happy day for us! A student grad film has won an award at an international film festival this year! The ​White Fields“, directed by Kartik Parmar and edited by Sai Murali won the Best Editing Award (Student) in the 6th Kolkata Shorts International Film Festival 2017.

The White Fields is a story about Madhav, a poor farmer who learns that his son needs urgent money to continue his education in the city. But the situation in their village turns out to be a big obstacle. The village head announces that the cotton harvest won’t be sold till next week because they have to stick the cotton harvest back to the plants to please a minister who is about to pass by their village in a few days.

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Madhav discusses with his wife and takes on the task to gather the money. Adding to his woes is his cow, which has run away further adding up to his tensions. He tries requesting a few people to lend him money, but fails. He ends up resorting to threatening one of his friends, which in turn makes his friend flee the village.

Madhav finally gives up. He feels humiliated when his son learns that his dad couldn’t pay on time. The next day is important. The fields are white again. The whole village awaits the noble minister. Madhav looks in disdain as the minister’s convoy passes by in a flash almost making all their effort seem insignificant.

The brilliantly crafted, shot and edited short film has already started creating ripples in the film circuit!

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