Sony lends 2 latest cams to AISFM

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Sony has proven itself to be a leader all kinds of cameras, especially in interchangeable lens cameras.  So, it was nothing short of an elated feeling when they came to the AISFM Campus.

Mr. Indraganti Naveen, Sony Alpha Regional Head formally handed over two of their latest cameras campus to Ranjit Sinha, Faculty of Photography. The best part – one of them is not yet released in India!

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The two models are Sony A7 mk2 with a 70-200 G Star lens (not yet released in India) and is Full Frame 35mm camera with great low light capabilities. The lens is a top of the line, G Star lens which is manufactured (badge engineered) by Carl Zeiss! The other cam is Sony Alpha 6300, a APS-C format, uber capable low light, ultra fast focusing camera with a 16-50 lens; and both the cameras shoot 4k video, as well.

The photography students could not resist their eagerness and started shooting with them right away! Goes on to prove that AISFM is the place to be, to learn and be the first to learn with the best!

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Drone Filmmaking – Master Class & Demo Workshop

The forefront of drone cinematography has paved its way up along the technical aspect of filmmaking in the course of time. A remote controlled operation to capture the flying view through the camera connected to a so made “drone”. As captured footage is meant to ignite a stimulating emotion in the viewers mind, the drone can be controlled in a way to cater to the stimulating emotion that the filmmaker wants to portray.

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Venkat C Dilip, Cinematographer (DOP) for Oohalu Gusa Gusa Lade and Jyo Achyuthananda, was at the AISFM campus to conduct a Master Class and a Demo Workshop on how to shoot with a Drone, for our Cinematography students. Venkat, as cinematography is his expertise started off by offering his teaching on the subject of camera, light, composition and then connecting it to cinematography.

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Our guest lecturer, followed by the Master Class, arranged a Demo-Workshop where he could demonstrate the process of drone filmmaking. With the help of Venkat, our cinematography students attempted to fly a drone and experiment with it on the footage. With a couple of tries, the demo workshop managed to provide a gainful insight to the students in a broader depth of cinematography. As the students would use such techniques in their future job roles, it gave them a practice on how to get the job done in the future, this particular way.

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Venkat mentioned to the students that the vision of the eye is the best element to judge a shot’s authenticity. With the evolution of technology, it has become precisely convincing to execute a filmmaker’s vision on screen. The modes of executing the vision have varied from medium to medium. Speaking of Drones, the technique behind its functioning is fascinating and the best way to know about it is, is to use it. The students during the Q/A exchanged a decent discussion on the nuances and trend from the top cinematographers in the west, doing it right and the assistance of technology needed for achieving the footage.

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The medium is still the message. A lot of drone films are experiments to see what can be done. Eventually, those techniques will, hopefully, just become another toolset cinematographers can use, like tracking or Steadicam shots. As various mediums and concepts keep innovating, technology does too. The filmmaker with his equipment in today’s day and age can achieve anything on screen. It’s the idea, the process and definitely the execution in the end that matters. Luckily, though, directors are born tinkerers, so learning a new trick comes easy. It’s even a bit fun.

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If money’s no object and you’re looking to get that 4K quality, then you can’t do better than these five beauties. Honestly, don’t take our word for it and let the facts speak for themselves.

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