Things you didn’t know about Bahubali!

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Bahubali, a movie that has created and rewritten history in the annals of Indian cinema and how! The most awaited film, SS Rajamouli’s magnum opus Bahubali: The Conclusion surely kept its word as the biggest film made on Indian celluloid and the massive, stupendous and record-breaking response it received on its opening weekend is more than valid proof enough. It has strengthened its hold at the box office like never before and cooked up a storm, witnessing a mad rush at the ticket counters with numbers reaching new heights by the day.

Did you know that the magnum opus, entered the Rs 100 crore club on its release day and no other Indian film has ever entered the Rs 100-crore club on its opening day. It was also the widest ever worldwide release in close to 9000 screens, no less! Want to know more about the epic movie, then read on to find out about the things you didn’t know about Bahubali!

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  • Bahubali: The Beginning and the sequel Bahubali 2: The Conclusion together are the most expensive Indian movies ever made, with an approximate budget of nearly 450 crore.
  • Out of 100 years of Indian cinema Bahubali is the only movie to be featured in a BBC documentary. And The Rise of Sivagamiis one of the books of Bahubali fiction trilogy.
  • More than 800+ technicians, including the special effects team of Jurassic world, were hired for the making of the movie. Bahubali involved a lot of complex computer-generated imagery (CGI) and VFX shots which comprise almost 90% of the movie, that is about 4,500-5,000 VFX shots in 3 hours!
  • Prabhas worked with his local trainer to build his body. He visited the US and interacted with WWE wrestlers to understand their training regimen. He was so impressed with the infrastructure that he got the equipment, costing INR 1.5 crore, and built a personal gym imitating the set-up of the WWE wrestlers.
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  • Prabhas would work out for 6 hours daily and start training early in the morning. His regime would start with about one-and-a-half hours of cardio, with focus on muscle building. In the evenings, to strengthen his body muscles, he would lift weights for about one-and-a-half hours.
  • Prabhas gained a whopping 20 kilos for his part as Amarendra Bahubali and his diet consisted of fish, egg whites (40 half boiled eggs and egg whites), vegetables and almonds. The actor would eat a meal every two hours, and had a total of six meals every day, which did not include rice. The total calorie intake of Prabhas while shooting for Bahubali was between 2000 to 4000 calories a day!
  • Prabhas did not sign a single movie for the past three years so that he could focus on Bahubali and sink into the feel of it.
  • It is the only Indian movie to be made in 4D and many of the movie halls had to adjust their projectors just to show this movie on their screens.
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  • This is the first Indian war movie which has stood in the category of Hollywood war movies such as Troyand 300.
  • This is the first time any regional movie is getting outstanding applause in the world market.
  • The movie took more than three years to get completed and the pre-production and scripting took one year, while the live action shooting took two years. Post production took more than six months.
  • The production crew consisted of 25 National Award Winning artists and technicians.
  • About 20,000 weapons were designed and used in the entire move and it had 50,000+ VFX shots spanning both the parts.
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  • 110 acres of space was reserved at Ramoji Film City for the shooting of the war scene.
  • Bahubali: The Beginning is the biggest VFX film in Indian film history with around nearly 90% of the final output achieved through various visual effects techniques such as rotoscoping, chroma removal, wire removal, 2D and 3D tracking, matchmoving, color correction, live action shooting and CG (3D Computer Graphics) integration, matte painting, camera projections and compositing.
  • Around 2000 junior artists were in live action shooting.
  • A total of 17 VFX studios and 600+ 3D animation and visual effects artists worked to finish the post production of the movie.
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  • Bahubali poster entered into Guinness Book of World Records and Limca Book of World Records – the production team held an event in Kerala where they revealed a movie poster measuring 51,968 sq ft and gained entry as the biggest poster of motion picture in both the books.
  • Another record set; SS Rajamouli tweeted on March 17: “50 million cumulative views of our trailer, across all languages, on YT & FB. The most viewed Indian movie trailer in 24hours. #BB2Storm”.
  • The climax of Bahubali: The Conclusion was shot with a whopping budget of Rs. 30 crore, which was almost double the budget of the climax shot of its prequel Bahubali: The Beginning.
  • The waterfall scene in Bahubali – The Beginning that took almost one-third of the total shooting time of the entire film.
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  • To get their bodies fit for the role they were playing Prabhas and Rana Daggubati were on a strict fitness regime, including diet and workout. They were even trained in martial arts by Vietnamese trainer Tuan. Both actors gained over 30 kilos to get into the skin of their characters.
  • Reportedly, director SS Rajamouli plans to make Bahubali 3.
  • It is said that Rajamouli took about more than 100 days to get the waterfall shot right. Being the most important scene in the movie, the team shot the sequence at three different waterfall locations to give it a grand effect.
  • A new language named ‘KILIKI’ was invented for the terrifying Kalakeya tribe in the movie. A completely new language was developed, with 750 words and 40 grammar rules!
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  • It will be the first Indian movie to have its own museum. The museum being made will house all the weapons, armours and costumes that the actors sport in the film.
  • ‘Bahubali’ has surpassed ‘300’ in IMDB ratings and is ranked at 9.4 out of 10.
  • A leading ticket-booking website revealed that they sold one Bahubali ticket every 12 seconds, breaking records there too!

Lights, Camera, Stunts!!!

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Bahubali is a movie that caught the nation’s attention like never before and people all over are awaiting the concluding part of this epic movie that has been narrated through spectacular visuals and amazing special effects. Bahubali, with its epic dimensions in nearly every aspect of filmmaking has been lauded for its exceptional stunts and special effects and its grandeur of scale especially in its stunts and battle sequences are truly spectacular.

Stunt coordinator of this blockbuster film King Solomon Raju visited AISFM for a stunt and action workshop for Bachelors and Masters students who will be graduating next semester. The outdoor shoot with our students was conducted on our campus by the man himself. Students got a hands-on experience on how stunts are supposed to be acted out and shot.

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Speaking to us during a break in the workshop, Solomon said about youngsters nowadays joining film schools to learn the finer nuances of various aspects of film-making, “It is imperative that today’s generation gets the right training and for that learning in a film school is very important. Just like how you cannot go from Grade 1 to Grade 10 in school, here you cannot just join the film industry and become known. By learning in a film school, they always have an added advantage. More and more people are joining the film industry now than earlier and it is a great thing.”

Talking about his favourite movie Bahubali, he said that it is one of the best things that has happened to him and rates the stunts and the movie as the best. When we are talking about the iconic movie how can we not ask the proverbial question on everyone’s lips, ‘Why did Kattappa kill Bahubali?’ To this, he smiled and said, “Even, I don’t know!” “Stunts have come a long way from the initial days of the film industry and have improved greatly. With the aid of computer graphics, various stunts can be tried in films,” he said and added that Bahubali has raised the standards for stunts too.

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Before getting back to the workshop, he left a word of advice for the youngsters who want to pursue film-making, “Follow your dream, work hard with passion and don’t give up.”

One of the AISFM students’ who attended the workshop, shared her thoughts on it. Isha Thota, said “The stunt workshop was quite an interesting experience. It made me aware of the intricacies that went in to the production of a “professional” stunt scene and also the need of a stunt coordinator even for low budget films. We learnt about other aspects we may use in a film that we may not have previously thought would need a coordinator for i.e. something as small and insignificant as a scene where a character falls onto the floor is in need of an awareness, about stunts.”

“One main aspect that was spoken about, that is of grave importance is that of safety. Mr. Solomon and his team were very prudent, and took various safety measures with the use of body harnesses and crash mats. We were also informed about the importance of using our own safety equipment in order to ensure that the quality has not deteriorated or any problems that come with wear and tear come up during a shoot. Apart from the basic need for safety, the film production and insurance is also at a risk if appropriate steps are not taken.”

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“We were also made aware of the steps taken in the production of a stunt sequence, from interacting with the director who informs the coordinator of the mood of the scene and the events leading up to the stunt sequence, and of course the setting and to the actual rehearsal of the stunt  sequence itself. During the shoot Mr. Solomon also did a mock pre vis using a camera phone to check different angles, after which the sequence was practiced, safety measures were taken and then we were onto actual production. We were told about various different “cheat” angles and movements we can use so as to insure actual impact isn’t needed, especially since we were shooting without VFX.”

“The day long shot was very engaging, the students were quite involved often doing the camera work themselves and the workshop was a educational first step to a more in-depth awareness of what goes on during a stunt sequence.”